Mid-century modern architecture, together with inspiring and enjoyable mid-century houses, is our focus.
We write about mid-century and contemporary architecture that represents modernist values as we believe that good architecture must be accessible to everyone and speak to people: like the projects we collect here.
In this section we feature a curation of the best works in 20th century’s modern mid-century architecture: Frank Lloyd Wright, Mies Van Der Rohe, Philip Johnson, Richard Neutra or Arne Jacobsen are only few of the architects you will find.
Jason Davidson is a Landscape Architect in Melbourne, Australia, with a passion for Mid-century Modern that started when he and his wife bought their home in Beaumaris, Victoria, that happened to be from 1956.
In the last few years Jason has specialised in landscaping for Mid-century houses, with the help of his blog AustralianModernistLandscapes, that has helped put him in touch with potential clients.
Richard Neutra was born in Vienna in 1892 and studied architecture at the Technical Univesity of Vienna. He was a known for designing complex interior spaces and rejecting architectural ornaments.
After his military service in WWl, Richard Neutra found employment at the Switzerland architect bureau of Gustav A. Amman , a German expressionist architect who’s work is characterized by streamline interpretation of industrial structures.
Frank Lloyd Wright designed over a thousand different structures during his lifespan, the majority of which were houses. He was a domestic architect and believed he could have greater impact if he designed structures where people were going to live. He also believed that a house would be more a home if it was a piece of art.
We walk through a city just like we walk through nature but we are surrounded by an environment that has been molded to accommodate us. We navigate through streets like in a canyon of artificial stone and look up, feeling dwarfed by the walls being built around us. It’s surprising how little we notice. We live our lives surrounded by a manufactured world, take little interest in how it looks, how it feels.
Located 15 Km north of Aix-en-Provence, the Chateau La Coste, Art Center designed by architect Tadao Ando, is part of a project to convert an existing winery into an outdoor open-air museum including pavilions and sculptures.
Artists from all over the world were invited to explore and contribute to enrich the landscape with their works. They had given the freedom to chose the part of the area that most connected to them and were create something to place permanently there.
Like many of his contemporaries, such as Frank Lloyd Wright and Le Corbusier, Mies van der Rohe was looking for a new architectural style that could represent modern times just as the Renaissance or Gothic style did for their own eras. He created an influential twentieth-century architectural style with realistic clarity and simplicity.
Frank Lloyd Wright’s architecture was influenced in part by his personal beliefs as a member of the local Unitarian congregation. In 1906 he was asked by his minister to submit a plan for a new church building the one that became Frank Lloyd Wright’s Unity Temple in Chicago.
The Barcelona Pavilion was designed in 1928 by architect Ludwig Mies van der Rohe and completed in 1929 in Barcelona Spain. The building instantly became a masterpiece in van der Rohe’s career, a symbol for the twentieth century Modernism movement and an inspiration for generations of future architects, all over the globe.
One of the most modern buildings of it’s time, the Chemosphere by architect John Lautner, is praised for it’s unique design and for it’s ingenious solutions.
At the age of 72, Frank Lloyd Wright decided to build his winter home in Arizona: he called it Taliesin West.
Wright loved the Arizona desert. He found the rocky landscape inspiring when he visited it in the 1920s, and jumped at the chance to build a new winter base there.
Perhaps one of the best examples of a self made man in real-estate development and mid-century modernism is Joseph Eichler. He had a dream, a clear vision and made this dream a reality by going against all odds in creating entire communities around the Bay area and Los Angeles of affordable, sleek architectural designed homes for the middle class Americans
John Lautner’s Sheats Goldtstein Residence, is one of the most remarkable Modernist buildings ever designed and sits in Los Angeles, California.
This house is closely related to John Lautner’s career, and it wasn’t a project like any other as it is in construction since 1963. Still today its owner keeps on adding parts, maintaining Lautner’s legacy alive.
Continues from Eichler Homes and The Sense of Community.
Some of the successes of the Eichler communities can be ascribed to site planning. Neighbors come together and develop new methods and ideas to keep the community in Unisom. They come up with rather untraditional and unconventional but effective ways of building a stronger community. Ideas such as organizing annual community workdays, annual car shows and organizing Orchestra nights taking on Mozart, Haydn and Elgar.
In Westwood California, American architect John Lautner designed and built the magnificent Sheats Goldstein Residence.
The organic architectural style is a trademark for Lautner, building the residence into the sandstone ledge of a hillside creating thus a cave-like atmosphere out of concrete, steel, wood and glass.
…Continues from The Tradition of Eichler Neighbourhoods
The first Eichler homes were designed by well-known California architect team of Anshen & Allen and in later years other architects were hired and collaborated with Joseph Eichler, including the firm of Jones & Emmons.
Eichler began building what today are called the Eichler neighbourhoods within a small community in Sunnyvale California. Originally priced for under ten thousand dollars, the homes were aimed at young families who were flocking to new landscapes called suburbia.
Many people may have heard the name before. For a few the concept of Eichler is relatively new. In the Real Estate business, especially in California, Eichler houses are a tradition. What makes the Eichlers so special? The answer is simple, it’s the concept of creating a community for people in touch with nature. A typical house is a bearing wall type of house, which means solid walls holds the roof on top.
The Case Study House program was not the only attempt to build affordable houses for the post-war American middle-class. The Virgil Apartments building designed by architect Carl Maston in 1951 had the same goal. The six living units apartment building was designed to provide living quarters and a retirement income for the owner within a limited budget.
John Lautner, the highly influential architect behind such Mid-century greats as the Malin Residence, the Chemosphere and the Elrod Residence, described his design process as “a total involvement.”
Although, despite this self-touted all-encompassing approach, Lautner’s sketches and plans appear rough and childlike…
The current owner of the famous and iconic John Lautner Garcia house talks about the difficult, but fulfilling, process of renovating a Modernist masterpiece.
In certain free moments while attending college in California, a young John McIlwee would ride his motorcycle up and down Mullholland drive, curiously looking up at a peculiar arching structure that sits atop a hillside in the Santa Monica Mountains.
Eichler hired Ernie Braun to photograph the house. The photos impressed Belluschi so much that he remarked to Eichler that they showed off the house even more than the images published by Life.
Braun often pictured near-empty rooms, with just a few cushions to decor the space. The use of low camera angles generated a dynamic feel to the otherwise almost empty interiors,
Monique Lombardelli is a MidCenturyHome reader and fan of our Facebook Page. When she approached us to tell about her projects and documentaries on Eichler houses, we couldn’t resist; we asked her for an interview.
Monique is a realtor specialised in modernist houses and also a film-maker so, combining the two passions in a documentary about Eichler houses felt natural.
Starting in 1953, the American real estate market began to change. The rise of average salaries and a spreading optimism about the future, caused a dramatic increase of buying requests for the first time since the end of the war. New buyers also began to develop more refined tastes – asking for more elaborate designs; requests to which builders eagerly responded, including new features as second bathrooms, larger living areas, more functional kitchens and in-house intercoms.
Another year passed by and it’s time again to look back and see what you liked the most in 2012 on Mid Century Home.
Today I will start a week of posts dedicated to the best content published this year starting from Mid Century Modern Architecture.
When the architect had to design this house in a wooden area -his own home- he chose for a particular rigours style.
Like most of the mid century modern houses, also this one was designed to make blurry the limit between inside and outside. The rectangular and single-level architecture together with the floor to ceiling windows used as external walls, provide views of the wood from most of the rooms.